Tampilkan postingan dengan label New York. Tampilkan semua postingan
Tampilkan postingan dengan label New York. Tampilkan semua postingan

Kamis, 06 Oktober 2011

Learning to Drive: And Other Life Stories by Katha Pollitt (Random House 2007)

I should say that it was only for me that Marxism seemed over. Surely, I would tell G. at least once a week, it had to count for something that every single self-described Marxist state had turned into an economically backward dictatorship. Irrelevant, he would reply. The real Marxists weren't the Leninists and Stalinist and Maoists - or the Trotskyists either, those bloodthirsty romantics - but libertarian anarchist-socialists, people like Anton Pannekoek, Herman Gorter, Karl Korsch, scholarly believers in true workers' control who had labored in obscurity for most of the twentieth century, enjoyed a late-afternoon moment in the sun after 1968 when they were discovered by the New Left, and had now once again fallen back into the shadows of history, existing mostly as tiny stars in the vast night of the Internet, archived on blogs with names like Diary of a Council Communist and Break Their Haughty Power. They were all men. The group itself was mostly men.

This was, as Marxists used to say, no accident. There was something about Marxist theory that just did not appeal to women. G. and I spent a lot of time discussing the possible means for this. Was it just that women don't allow themselves to engage in abstract speculation, as he thought? That Marxism is incompatible with feminism, as I sometimes suspected? Or perhaps the problem was not Marxism but Marxists: in its heyday men had kept a lock on it as they did on everything they considered important; now, in its decline, Marxism had become one of those obsessive lonely-guy hobbies, like collecting stamps or 78s. Maybe, like collecting, it was related , through subterranean psychological pathways, to sexual perversions, most of which seemed to be male as well. You never hear about a female foot fetishist, or a woman like the high-school history teacher of a friend of mine who kept dated bottles of his own urine on a closet shelf.

Senin, 06 Juni 2011

Netherland by Joseph O'Neill (Vintage Contemporaries 2008)

We traveled the length of Coney Island Avenue, that low-slung, scruffily commercial thoroughfare that stands in almost surreal contrast to the tranquil residential blocks it traverses, a shoddily bustling strip of vehicles double-parked in front of gas stations, synagogues, mosques, beauty salons, bank branches, restaurants, funeral homes, auto-body shops, supermarkets, assorted small businesses proclaiming provenances from Pakistan, Tajikistan, Ethiopia, Turkey, Saudi Arabia, Russia, Armenia, Ghana, the Jewry, Christendom, Islam: it was on Coney Island Avenue, on a subsequent occasion, that Chuck and I came upon a bunch of South African Jews, in full sectarian regalia, watching televised cricket with a couple of Rastafarians in the front office of a Pakistan-run lumberyard. This miscellany was initially undetectable by me. It was Chuck, over the course of subsequent instructional drives, who pointed everything out to me and made me see something of the real Brooklyn, as he called it.


Selasa, 03 Mei 2011

Selasa, 11 Januari 2011

'Idiot with a Tripod' in Astoria, Queens

A fresh blanket of snow in New York overnight allows me to right a blogging wrong by posting this wonderful short film by the filmmaker Jaime Stuart on the blog.

'Man in a Blizzard' was filmed and edited in the space of few hours this past boxing day when New York got hit with that blizzard which resulted in Bloomberg's approval ratings taking a skid and, at one point, thirteen vehicles being abandoned in the road outside our apartment building.

Roger Ebert thinks it should win ". . . the Academy Award for best live-action short subject". One of the funnier trolls on the internet thinks that Roger Ebert should "see more movies". I just think it's beautiful.

That music? Yeah, I thought it was Blur, too, but it turns out that it's Trent Reznor.

UPDATE

Just realised that you really don't get the full experience of the film from my embedded YouTube link. You're better off checking the video out here over at Vimeo.